{"id":2259,"date":"2025-09-25T12:55:08","date_gmt":"2025-09-25T19:55:08","guid":{"rendered":"https:\/\/catbradley.io\/?p=2259"},"modified":"2025-09-25T12:55:08","modified_gmt":"2025-09-25T19:55:08","slug":"bryan-sansivero-documents-otherworldly-forgotten-houses-in-america-the-abandoned","status":"publish","type":"post","link":"https:\/\/catbradley.io\/?p=2259","title":{"rendered":"Bryan Sansivero Documents Otherworldly, Forgotten Houses in \u2018America the Abandoned\u2019"},"content":{"rendered":"

\"Bryan<\/p>\n

In many parts of rural America, the population keeps shrinking<\/a>. Low birth rates, aging residents, and evolving or shuttering industries pair with a trend of younger people migrating to metro areas for jobs and more diverse cultural amenities. As of 2022, the U.S. Census bureau estimates there are more than 15 million abandoned houses around the country, which have been left for myriad reasons ranging from foreclosures to structural issues to the death of inhabitants with no one else able or willing to shoulder the responsibility of a home and its furnishings.<\/p>\n

Photographer Bryan Sansivero<\/a> feels a strong pull to document and explore forgotten dwellings. His new book forthcoming from Artisan, America the Abandoned<\/em>, explores deserted homes around the country in 200 striking images. From interiors strewn with garments, toys, knick-knacks, and decor to empty farmhouses gradually sagging into the prairie, he captures a spectral phenomenon ripe for storytelling.<\/p>\n

\"a
\u201cThe House at the End of the Street\u201d<\/figcaption><\/figure>\n

Sansivero\u2019s practice also revolves around portraiture, which lends itself to his approach of capturing these once-occupied houses. Although devoid of people, their enigmatic stories and vernacular personalities resonate through aged clapboard walls, overgrown shrubs, and forsaken belongings.<\/p>\n

The images range from misty, haunting facades to everyday interiors. \u201cThese spaces are often littered with dust, mold, and creepy crawlies, and occasionally, they house one-of-a-kind relics: a tiger skin rug, a commemorative bicentennial piano, or a collection of mannequins,\u201d the publisher says. \u201cTaken together, this photographic collection serves as a time capsule\u2014as an eerie reminder that everything we own is temporary and will eventually be forgotten.\u201d<\/p>\n

America the Abandoned <\/em>is slated for release on October 14. Pre-order your copy on Bookshop<\/a>, and check out more of Sansivero\u2019s work on his website<\/a> and Instagram<\/a>. <\/p>\n

\"a
\u201cThe Dollhouses\u201d<\/figcaption><\/figure>\n
\"a
\u201cThe Crooked House\u201d<\/figcaption><\/figure>\n
\"a
\u201cA Patriot\u2019s Piano\u201d<\/figcaption><\/figure>\n
\"a
\u201cCovered in Vines\u201d<\/figcaption><\/figure>\n
\"a
\u201cThe Queen Anne\u201d<\/figcaption><\/figure>\n
\"a
\u201cThe Tiny Vanity\u201d<\/figcaption><\/figure>\n
\"a
\u201cThe Bayport House\u201d<\/figcaption><\/figure>\n
\"cover<\/figure>\n

Do stories and artists like this matter to you? Become a Colossal Member<\/a> today and support independent arts publishing for as little as $7 per month. The article Bryan Sansivero Documents Otherworldly, Forgotten Houses in \u2018America the Abandoned\u2019<\/a> appeared first on Colossal<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"

In many parts of rural America, the population keeps shrinking. Low birth rates, aging residents, and evolving or shuttering industries pair with a trend of younger people migrating to metro…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2259","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rss"],"_links":{"self":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/posts\/2259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2259"}],"version-history":[{"count":0,"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/posts\/2259\/revisions"}],"wp:attachment":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}