{"id":3103,"date":"2025-11-20T08:37:04","date_gmt":"2025-11-20T15:37:04","guid":{"rendered":"https:\/\/catbradley.io\/?p=3103"},"modified":"2025-11-20T08:37:04","modified_gmt":"2025-11-20T15:37:04","slug":"simon-laveuves-scaled-down-tableaux-reveal-post-apocalyptic-lifestyles","status":"publish","type":"post","link":"https:\/\/catbradley.io\/?p=3103","title":{"rendered":"Simon Laveuve\u2019s Scaled-Down Tableaux Reveal Post-Apocalyptic Lifestyles"},"content":{"rendered":"

\"Simon<\/p>\n

There is always something a bit uncanny about Simon Laveuve<\/a>\u2019s playful miniatures. Whether a ramshackle residence is built impossibly tall or seems to be both upside-down and right-side-up at the same time, we\u2019re drawn into a strange yet alluring world filled with a range of precisely rendered homes and hangouts.<\/p>\n

Laveuve is known for his meticulously sculpted miniatures<\/a> that evoke post-apocalyptic settings, from stilt houses hovering precariously on rock formations to playful amalgamations of numerous \u201cfound objects\u201d like tires and old windows. Typically crafted at 1\/24 or 1\/35 scale, these tiny tableaux are devoid of people yet feel lived in, as if the inhabitants have just stepped away.<\/p>\n

\"a
\u201cLa Beaut\u00e9 Des Aurores\u201d (2025), from \u2018Les \u00c9toiles,\u2019 mixed media, 1\/35 scale, 19 x 28 x 13 centimeters<\/figcaption><\/figure>\n

Some of Laveuve\u2019s sculptures feature multiple levels, while others focus on a particular interaction between, say, a beach umbrella that someone appears to have pitched not too long ago next to a car that has been abandoned for years, with giant roots growing through the hood. Whether installed on the wall or propped up on a post, the scenes reveal new details when viewed from different vantage points.<\/p>\n

Laveuve has been exceptionally productive lately, as Galerie Decorde<\/a> just exhibited 10 pieces at an art fair in Strasbourg, France, and the artist has work included in Lucas Nadel\u2019s show\u00a0at Tagliatella Galleries<\/a> in Paris, which opens on November 22 and continues through December 20. Among other projects, Galerie Decorde will also include Laveuve\u2019s work in its December group show.<\/p>\n

Check out Laveuve\u2019s website<\/a>, and follow updates on Instagram<\/a>.<\/p>\n

\"a
\u201cR\u00eave De Cime\u201d (2025), from \u2018Les \u00c9toiles,\u2019 mixed media, 1\/35 scale, 34 x 16 x 11 centimeters<\/figcaption><\/figure>\n
\"a
Detail of \u201cR\u00eave De Cime\u201d<\/figcaption><\/figure>\n
\"a
Detail of \u201cLa Beaut\u00e9 Des Aurores\u201d<\/figcaption><\/figure>\n
\"the
\u201cUne Place Au Soleil\u201d (2025) from \u2018Vestige,\u2019 mixed media, 1\/24 scale, 31 x 26 x 20 centimeters<\/figcaption><\/figure>\n
\"a
\u201cJour De F\u00eate\u201d (2025), from \u2018Vestige,\u2019 mixed media, 1\/24 scale, 38 x 26 x 18 centimeters<\/figcaption><\/figure>\n
\"a
\u201cJour De F\u00eate\u201d (2025), from \u2018Vestige,\u2019 mixed media, 1\/24 scale, 38 x 26 x 18 centimeters<\/figcaption><\/figure>\n
\"a
Detail of \u201cJour De F\u00eate\u201d <\/figcaption><\/figure>\n
\"a
\u201cFleur d\u2019IPN\u201d (2025), from \u2018Vestige,\u2019 mixed media, 1\/24 scale, 33 x 30 x 21 centimeters<\/figcaption><\/figure>\n
\"a
Detail of \u201cFleur d\u2019IPN\u201d<\/figcaption><\/figure>\n

Do stories and artists like this matter to you? Become a Colossal Member<\/a> today and support independent arts publishing for as little as $7 per month. The article Simon Laveuve\u2019s Scaled-Down Tableaux Reveal Post-Apocalyptic Lifestyles<\/a> appeared first on Colossal<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"

There is always something a bit uncanny about Simon Laveuve\u2019s playful miniatures. Whether a ramshackle residence is built impossibly tall or seems to be both upside-down and right-side-up at the…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3103","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rss"],"_links":{"self":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/posts\/3103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3103"}],"version-history":[{"count":0,"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/posts\/3103\/revisions"}],"wp:attachment":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}