{"id":4178,"date":"2026-01-26T15:30:05","date_gmt":"2026-01-26T22:30:05","guid":{"rendered":"https:\/\/catbradley.io\/?p=4178"},"modified":"2026-01-26T15:30:05","modified_gmt":"2026-01-26T22:30:05","slug":"a-delightfully-tactile-stop-motion-music-video-pieces-together-300-ceramic-tiles","status":"publish","type":"post","link":"https:\/\/catbradley.io\/?p=4178","title":{"rendered":"A Delightfully Tactile Stop-Motion Music Video Pieces Together 300 Ceramic Tiles"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.thisiscolossal.com\/wp-content\/uploads\/2026\/01\/dirt-1.gif\" alt=\"A Delightfully Tactile Stop-Motion Music Video Pieces Together 300 Ceramic Tiles\" \/><\/p>\n<p>For three months, <a href=\"https:\/\/juliafernandez.me\/\" target=\"_blank\" rel=\"noreferrer noopener\">Julia Fernandez<\/a> would spend the hours between 8 a.m. and noon waiting for the right light to filter into her Brooklyn studio. Once the shared space was properly lit, she would swap out a grid of 12 ceramic tiles and take overhead photos that would eventually be pieced together into the charming stop-motion animation, \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=d9AN2GcquSw\" target=\"_blank\" rel=\"noreferrer noopener\">Dirt<\/a>.\u201d<\/p>\n<p>The music video for an acoustic song by Los Angeles-based Emory, Fernandez\u2019s film cycles through 300 tiles that reveal a small rabbit hopping across the frame, children running, and a spindly, line-drawn flower blooming and wilting. Each carved character is set within the grainy patchwork, which highlights the medium\u2019s particularities through irregular edges and differences in the glazes. Combined with the physical manipulations required of stop-motion, the ceramic animation is a poetic ode to an unlikely pairing of tactile media.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<\/div>\n<\/figure>\n<p>In a conversation with <a href=\"https:\/\/www.itsnicethat.com\/articles\/julia-fernandez-dirt-animation-project-260126\" target=\"_blank\" rel=\"noreferrer noopener\"><em>It\u2019s Nice That<\/em><\/a>, Fernandez shares that she first melded the two after etching <a href=\"https:\/\/www.instagram.com\/p\/CvY2TL9xuBr\/?hl=en\" target=\"_blank\" rel=\"noreferrer noopener\">a small cup<\/a> that doubled as a <a href=\"https:\/\/www.thisiscolossal.com\/tags\/zoetropes\/\">zoetrope<\/a>. Also featuring a rabbit and a flower, this playful compilation is a clear precursor to the techniques and characters that shine in \u201cDirt.\u201d \u201cSeeing a material that\u2019s supposed to be still and permanent begin to move felt like magic, like I had cracked some code in reality to create movement that should otherwise be impossible,\u201d she said.<\/p>\n<p>Watch more of the artist\u2019s ceramic animations on <a href=\"https:\/\/www.instagram.com\/julia_fernandez_\/?hl=en\" target=\"_blank\" rel=\"noreferrer noopener\">Instagram<\/a>.<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"720\" src=\"https:\/\/www.thisiscolossal.com\/wp-content\/uploads\/2026\/01\/dirt-3.gif\" alt=\"a gif from an animation by julia fernandez of a house on a hill\" class=\"wp-image-468737\" \/><\/figure>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"720\" src=\"https:\/\/www.thisiscolossal.com\/wp-content\/uploads\/2026\/01\/dirt-2.gif\" alt=\"a gif from a video by Julia Hernandez of children skipping\" class=\"wp-image-468736\" \/><\/figure>\n<p>Do stories and artists like this matter to you? Become a <a href=\"https:\/\/www.thisiscolossal.com\/members\">Colossal Member<\/a> today and support independent arts publishing for as little as $7 per month. The article <a href=\"https:\/\/www.thisiscolossal.com\/2026\/01\/julia-hernandez-emory-dirt-music-video\/\">A Delightfully Tactile Stop-Motion Music Video Pieces Together 300 Ceramic Tiles<\/a> appeared first on <a href=\"https:\/\/www.thisiscolossal.com\/\">Colossal<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"<p>For three months, Julia Fernandez would spend the hours between 8 a.m. and noon waiting for the right light to filter into her Brooklyn studio. Once the shared space was&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","footnotes":""},"categories":[1],"tags":[],"class_list":["post-4178","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rss"],"_links":{"self":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/posts\/4178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4178"}],"version-history":[{"count":0,"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/posts\/4178\/revisions"}],"wp:attachment":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4178"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}