{"id":8764,"date":"2026-10-16T09:06:11","date_gmt":"2026-10-16T16:06:11","guid":{"rendered":"https:\/\/catbradley.io\/?p=8764"},"modified":"2026-10-16T09:06:11","modified_gmt":"2026-10-16T16:06:11","slug":"make-believe-mailer-175-j-polymarket-2026","status":"publish","type":"post","link":"https:\/\/catbradley.io\/?p=8764","title":{"rendered":"Make Believe Mailer #175: J-Polymarket 2026"},"content":{"rendered":"<p>Contrary to how it has been talked about up to this point, the Grammy\u2019s Best Asian Pop Music Performance honor doesn\u2019t exist just to make people angry. <\/p>\n<p>Since the Recording Academy of the United States announced the new category back in June, people have been steaming about\u2026basically every aspect of it. The criteria favors East Asian acts. It feels like a consolation prize after groups like BTS weren\u2019t awarded any of the major trophies. What even <em>is <\/em>Asia? <\/p>\n<p>Then <a href=\"https:\/\/mbmelodies.substack.com\/p\/make-believe-bonus-the-grammys-best\">BTS decided not to submit any of its music for consideration this year seemingly because of an award<\/a> that, some of us might say, looked like it was invented just to give them an easy win. THAT then became the dominant point of discourse.<\/p>\n<p>Yet the Academy is still going to give this thing out\u2026and if the submissions are anything to go by, a lot of Japanese acts are vying for it.<\/p>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;MJ70B_cwnPk&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p>The first round of voting for the 69th Grammy Awards is underway, which means information about what artists and works were submitted for the categories is trickling out. There\u2019s no definitive official list, but based off information <a href=\"https:\/\/www.forbes.com\/sites\/jeffbenjamin\/2026\/10\/09\/grammy-awards-nomination-submissions-2027\/\">compiled by journalists like Jeff Benjamin<\/a> along with <a href=\"https:\/\/www.showbizbyps.com\/music\/2027-grammy-submissions-for-your-consideration-full-list\">lists detailing<\/a> those rolling out \u201cFor Your Consideration\u201d campaigns (of which I\u2019ve gotten like two dozen, despite being able to do jackshit with them) there\u2019s a pretty good list of whose putting themselves forward for what categories.<\/p>\n<p>And wow\u2026there\u2019s a lot of J-pop names here.<\/p>\n<p><a href=\"https:\/\/electricbloomwebzine.com\/2026\/10\/japan-leads-2027-grammys-asian-pop-entries.html\">Electric Bloom reported<\/a> that, when it comes to the Best Asian Pop Music Performance category, Japanese acts lead the way with 11 recorded submitting artists. Of course exact details of how many other acts from different Asian countries are submitting isn\u2019t totally known\u2026but it appears none of the major K-pop companies submitted anything, which if true would probably mean J-pop leads the way in submissions for this honor (and, to note quickly, some artists aren\u2019t just settling for this category alone).<\/p>\n<p>Let\u2019s ignore the talk around this category and what actually winning an trophy clouded in controversy even means\u2026I\u2019m not shocked to see the Japanese industry embracing the Best Asian Pop Music Performance category. This country\u2019s music business is <em>obsessed <\/em>with the Grammys, to the point where <a href=\"https:\/\/mbmelodies.substack.com\/p\/make-believe-bonus-music-awards-japan-fc2\">they went and made their own version<\/a> of it<a class=\"footnote-anchor\" data-component-name=\"FootnoteAnchorToDOM\" href=\"https:\/\/mbmelodies.substack.com\/p\/make-believe-mailer-175-j-polymarket#footnote-1\" target=\"_self\">1<\/a>. I\u2019ve heard no shortage of artists themselves state their dream is to win a Grammy \u2014\u00a0<a href=\"https:\/\/www.japantimes.co.jp\/culture\/2017\/03\/19\/music\/yurufuwa-gang-infuses-plenty-positivity-hip-hop-sets\/\">Yurufuwa Gang among them<\/a>! \u2014\u00a0along with rumors of other artists who took a Grammy campaign very seriously. <\/p>\n<p>So here\u2019s a golden opportunity for a lot of pop acts who might otherwise not have a real shot at hearing their name called in Hollywood now having a realistic chance. On top of that\u2026there\u2019s pretty good odds a J-pop nominee wins this. Call me cynical, but I initially interpreted this category as the \u201chey here ya go BTS\u201d honor, but them deciding not to submit anything instantly made it interesting. Now, it looks like a lot of K-pop acts who probably would be the favorites with BTS out of the way are also not in the mix. <\/p>\n<p>A Japanese act could very well capture this award in its first year. <\/p>\n<p>So, of the names we know have submitted so far\u2026who is the best bet to go to the next step? <\/p>\n<p>It\u2019s time for J-Polymarket.<\/p>\n<div class=\"captioned-image-container\">\n<figure><a class=\"image-link image2 is-viewable-img\" target=\"_blank\" href=\"https:\/\/substackcdn.com\/image\/fetch\/%24s_!we-a!,f_auto,q_auto:good,fl_progressive:steep\/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb261d045-fffa-4fe8-9e7f-458bd0df0ea1_800x445.jpeg\" data-component-name=\"Image2ToDOM\">\n<div class=\"image2-inset\"><img decoding=\"async\" src=\"https:\/\/substackcdn.com\/image\/fetch\/%24s_!we-a!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep\/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb261d045-fffa-4fe8-9e7f-458bd0df0ea1_800x445.jpeg\" width=\"800\" height=\"445\" data-attrs=\"{&quot;src&quot;:&quot;https:\/\/substack-post-media.s3.amazonaws.com\/public\/images\/b261d045-fffa-4fe8-9e7f-458bd0df0ea1_800x445.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:445,&quot;width&quot;:800,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:88449,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image\/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https:\/\/mbmelodies.substack.com\/i\/220521587?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb261d045-fffa-4fe8-9e7f-458bd0df0ea1_800x445.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}\" class=\"sizing-normal\" alt=\"\" loading=\"lazy\" \/>\n<div class=\"image-link-expand\">\n<div class=\"pencraft pc-display-flex pc-gap-8 pc-reset\"><button tabindex=\"0\" type=\"button\" class=\"pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M\"><\/button><button tabindex=\"0\" type=\"button\" class=\"pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M\"><\/button><\/div>\n<\/div>\n<\/div>\n<p><\/p><\/a><\/figure>\n<\/div>\n<p>Let\u2019s set the odds on all the Japanese artists we know vying for this award, along with a couple who I personally think also submitted. Here\u2019s the criteria I\u2019m working with:<\/p>\n<ul>\n<li>\n<p><strong>Legacy \u2014\u00a0<\/strong>Let\u2019s give the Grammy voter of 2026 the benefit of the doubt and assume they\u2019ll do a Google search of the submitted artists before selecting. Does the artist have enough clout in the Japanese music industry to turn heads?<\/p>\n<\/li>\n<li>\n<p><strong>International Presence <\/strong>\u2014 Has the voter heard of them before? Have they accomplished notable things overseas? What\u2019s English-language coverage of them look like? Any other global details that could make them stand out?<\/p>\n<\/li>\n<li>\n<p><strong>Politicking <\/strong>\u2014\u00a0A central component to any awards season is campaigning. Artists who have taken steps to specifically work with the Grammy people or to sing their praises go a long way (example: members of Filipino pop acts SB19 and BINI recently <a href=\"https:\/\/www.billboard.com\/music\/awards\/sb19-bini-grammys-asian-pop-category-interview-1236360145\/\">sat down with Billboard to celebrate<\/a> the maligned Best Asian Pop Music Performance category. Strategic! I\u2019m putting 70 percent odds one of them gets nominated). Networking and appearing at industry events also counts here.<\/p>\n<\/li>\n<\/ul>\n<p>Oh, and maybe most importantly\u2026<strong>I will not be taking into account the quality of the song submitted to the Grammy Awards because history has demonstrated the voters themselves have never considered it either. <\/strong>Some of these J-pop tunes are real stinkers, but that will not impact the odds because one glance at any list of past winners on Wikipedia reveals some truly noxious award recipients. What do you mean \u201cUse Somebody\u201d was Record Of The Year once??? I get BTS\u2019 anger, I don\u2019t like \u201cButter\u201d but it\u2019s at least as good as \u201cDon\u2019t Worry, Be Happy.\u201d<\/p>\n<p>From the above, I\u2019ll create the odds each submission has at being nominated for Best Asian Pop Music Performance. Do not think too much on how these percentages were calculated or if they make sense, think of it like any betting market or sports book where you just assume \u201coh they must know something I don\u2019t, all on the Rays!\u201d You can take these numbers to the bank<a class=\"footnote-anchor\" data-component-name=\"FootnoteAnchorToDOM\" href=\"https:\/\/mbmelodies.substack.com\/p\/make-believe-mailer-175-j-polymarket#footnote-2\" target=\"_self\">2<\/a>.<\/p>\n<p>Let\u2019s tackle these alphabetically, starting with a real wild one.<\/p>\n<h4>AKB48 (\u201cSuki-ish\u201d)<\/h4>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;IT2X9ZtjHoI&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p><strong>Legacy \u2014\u00a0<\/strong>The best-selling female artist in J-pop history, with a run of number-one singles that looks staggering when laid out in chart form. That the biggie-sized project has done it for over 20 years now makes it even more impressive. Actually understanding Japanese entertainment context makes them an even more essential part of the country\u2019s musical story in the 21st century (\u201ceverything is AKB\u201d), but even just taking in those numbers might be enough. Though no worries for voters who want to learn more\u2026they are one of the most well documented idol projects of the century.<\/p>\n<p><strong>International Presence <\/strong>\u2014\u00a0Unfortunately for AKB48\u2026they are one of the most well documented idol projects of the century. Searching the outfit\u2019s history in English means encountering a ton of early 2010s era writing about how backwards and socially toxic AKB seemed to be, what with the sailor suits and the geriatric producer trying to channel a teenage girl and the \u201cHeavy Rotation\u201d video. It\u2019s almost like a game of scandal roulette \u2014\u00a0are you going to encounter one of the head-shaving episodes, or the time a fan attacked members with a handsaw, or maybe a deep cut like \u201cEinstein Yori Dianna Agron?\u201d There\u2019s a lot of pitfalls an uninformed voter might come across.<\/p>\n<p><strong>Politicking <\/strong>\u2014 Rolling Stone Japan published <a href=\"https:\/\/rollingstonejapan.com\/articles\/detail\/45574\/1\/1\/1\">what strikes me as an argument<\/a> for being considered, offering an overview of AKB\u2019s history without any of the friction along with some strategic buzzwords (page three is about \u201ccostumes built with craftsmanship,\u201d a really Craig-Mod-y way of talking about clothes). That <a href=\"https:\/\/x.com\/AKB48_staff\/status\/2109934928163140036\">AKB staff itself shared it<\/a> underlines what exactly it\u2019s aim is\u2026and honestly, if this is all potential voters see, it could help. <\/p>\n<p><strong>Takeaway \u2014\u00a0<\/strong>If the framing of the Rolling Stone Japan article works, that could give them a chance\u2026but I think a cursor look at their history, lack of Western activities, and the competition make them shaky.<\/p>\n<p><strong>Odds Of Being Nominated \u2014\u00a025%<\/strong><\/p>\n<h4>BE:FIRST (\u201cBruce Wayne\u201d Featuring Flo Milli And ATL Jacob)<\/h4>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;gXNbJEYuoSw&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p><strong>Legacy \u2014\u00a0<\/strong>Very young group, but one that has achieved a solid amount of sales and cultural success in the few years they\u2019ve been together. It\u2019s a bit funny going from \u201cthis girl group explains not just how Japanese entertainment but EVERYTHING GLOBALLY works\u201d to \u201cuhhhh they were on a popular reality show.\u201d <\/p>\n<p><strong>International Presence <\/strong>\u2014 They\u2019ve toured the West, which definitely counts for something, and they\u2019ve done a lot of press with publications that get eyeballs from industry types (Rolling Stone, Billboard, etc.). Yet it dries up after that\u2026this is a group that hasn\u2019t really been bundled into the \u201cnew era of J-pop\u201d wave, which I actually think is a limiting factor.<\/p>\n<p>Now, though, comes the tricky part\u2026how much does having non-Japanese guests elevate the song? Flo Milli is a known name and has been nominated for a Grammy before, while ATL Jacob won a trophy for producing Future\u2019s \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=rP09GUQFDFk\">Wait for U<\/a>.\u201d By including them\u2026does BE:FIRST\u2019s chances also go up? Even though it doesn\u2019t really align with the\u2026Best Asian Pop part of the Best Asian Pop Music Performance award.<\/p>\n<p><strong>Politicking <\/strong>\u2014\u00a0<a href=\"https:\/\/note.com\/bmsg_pulse\/n\/n400ef675508a?hl=en\">They became voting members<\/a>! I don\u2019t know if that means others know who they are now (do the Grammy people have like an in-house magazine?), but I guess in theory that\u2019s at least\u2026six votes plus SKY-HI. Dang, AKB should have registered, dozens of votes left on the table. <\/p>\n<p><strong>Takeaway \u2014\u00a0<\/strong>The features on \u201cBruce Wayne\u201d definitely add a little intrigue, but compared to other names coming up, I don\u2019t think they have the sizzle to breakthrough. I\u2019ll give them an extra seven percent since they can vote for themselves. <\/p>\n<p><strong>Odds Of Being Nominated \u2014 37%<\/strong>   <\/p>\n<h4>BABYMETAL \u2014 \u201cSunset Kiss Featuring Polyphia\u201d)<\/h4>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;GCMbwc0ZNfE&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p><strong>Legacy \u2014 <\/strong>Arguably the most successful Japanese act globally of the 21st century? They were repping for J-pop on the world stage back when most people were unaware Japan had music (2015). If you need specifics\u2026sold-out tours, the first Japanese album to appear in the top 10 of the Billboard 200, and previous Grammy nominations.<\/p>\n<p><strong>International Presence <\/strong>\u2014 See above. This is one of the most well-represented J-pop acts going, and one I actually imagine most voting members have heard of, even if it is just as \u201cthe cute metal children.\u201d <\/p>\n<p><strong>Politicking <\/strong>\u2014 They are also voting members, though I\u2019d say the fact they\u2019ve been nominated in other categories before means they are already on voter radar\u2026and hey, given how often artists have to wait to be honored, that could be a benefit to them.<\/p>\n<p><strong>Takeaway \u2014\u00a0<\/strong>Complicating all of this is the fact BABYMETAL submitted two other songs for different categories. They <a href=\"https:\/\/www.youtube.com\/watch?v=c1G6ozmenR4\">entered a Major Lazer remix<\/a> of their song with Poppy for Best Remixed Recording\u2026and they are again going after Best Metal Performance with \u201c<a href=\"https:\/\/youtu.be\/6MWlBf2lhno?si=VcZ6nXw7IM_Em-wI\">My Queen<\/a>\u201d featuring Spiritbox. <\/p>\n<p>I think they care about that last one the most, and I also wonder if being in contention for those other two hurts them in the Asian category. After all, they have become recognized as a metal act, not so much \u201cpop.\u201d I think they have a much higher chance of being nominated in the Metal category\u2026but given their history, I\u2019ll still give them even odds.<\/p>\n<p><strong>Odds Of Being Nominated \u2014 50%<\/strong><\/p>\n<h4>f5ve  (\u201cI Choose You\u201d)<\/h4>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;WL8OwB0ElJg&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p><strong>Legacy \u2014\u00a0<\/strong>They\u2026are popular on social media, that\u2019s for sure, as long as they aren\u2019t <a href=\"https:\/\/www.koreaboo.com\/news\/girl-group-issues-apology-after-sharing-meme-goo-hara-featuring-coffin-f5ve\/\">referencing tragic deaths<\/a>.  <\/p>\n<p>Really though they are an extremely new group that hasn\u2019t left much of a blip on domestic pop. However\u2026<\/p>\n<p><strong>International Presence <\/strong>\u2014\u00a0International presence is all they have going for them, but they\u2019ve got a lot. Interviews galore, all of them turning to the time-tested \u201ca new take on J-pop\u201d as a hook. Tours in the West. A predominantly non-Japanese fanbase. None of it is particularly huge when looked at from a Grammy voter\u2019s perspective \u2014\u00a0give me a ballot and \u201cappeared at an Eastern Margins festival\u201d carries serious weight \u2014\u00a0but they have surplus in this department.<\/p>\n<p><strong>Politicking <\/strong>\u2014 They are one of two groups on this list to have appeared at <a href=\"https:\/\/www.japanese-city.com\/calendar\/events\/?eID=41477\">ennichi\u201925<\/a>, a CEIPA-related concert in Los Angeles that tied into an industry event focused on spotlighting Japanese music. This was geared for industry types, meaning f5ve could have gotten some attention there<a class=\"footnote-anchor\" data-component-name=\"FootnoteAnchorToDOM\" href=\"https:\/\/mbmelodies.substack.com\/p\/make-believe-mailer-175-j-polymarket#footnote-3\" target=\"_self\">3<\/a>.<\/p>\n<p><strong>Takeaway \u2014\u00a0<\/strong>An early hurdle for this category when it comes to establishing what it is\u2026f5ve have found an audience outside its home country, but in the process don\u2019t actually tie into the Japanese pop landscape that I assume this honor wants to recognize. All the attention abroad means I can\u2019t dismiss them\u2026but I keep thinking the equivalent of this would be launching this award 15 years ago and nominating FAKY.<\/p>\n<p><strong>Odds Of Being Nominated \u2014 41%<\/strong><\/p>\n<h4>Hatsune Miku \u00a0(\u201cMiku-Maxxing\u201d Featuring Grimes And SatapanP)<\/h4>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;v3rewELybuw&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p>Oh man\u2026oh man, oh man.<\/p>\n<p><strong>Legacy \u2014<\/strong>The first massively successful \u201cvirtual artist.\u201d Avatar for a singing-synthesizer AND a genuinely new genre of music that has become globally embraced. A creative muse who also partners with luxury bands, convenience stores, and whatever else can get in touch with Crypton Future Media. Arguably the most important pop \u201cact\u201d of the digital age? <\/p>\n<p><strong>International Presence <\/strong>\u2014\u00a0On the one hand\u2026a ton. Sold-out tours, appearances at festivals like Coachella, a spot on <em>Late Show With David Letterman<\/em>, being friends with Scarlett Johansson. Tons, and I means tons, of writing about her and what she means.<\/p>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;WXo8UNI8VG4&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p>But also\u2026Hatsune Miku turns 20 next year, and there\u2019s been so much written and recorded and simply shared about what she is, how she works, and what she represents. I\u2019ve written about this like a dozen times in <a href=\"https:\/\/daily.redbullmusicacademy.com\/2014\/11\/vocaloid-feature\">the last decade<\/a> plus. Yet I think most people\u2026and I\u2019m going to bet A LOT of the Grammy voting pool\u2026probably still think she\u2019s a robot or an AI or just a character from <em>Dragonball Z<\/em>. I really think the learning curve is just too steep.<\/p>\n<p>Plus, I have no idea how to factor in Grimes to this. True chaotic dash to the submission.<\/p>\n<p><strong>Politicking <\/strong>\u2014 Anyone can create music with Miku, so someone should draft up a song geared towards voters right now.<\/p>\n<p><strong>Takeaway \u2014\u00a0<\/strong>I really want Hatsune Miku to be nominated for this category. Partially because it would be hilarious, but also because\u2026I don\u2019t think there\u2019s a music development out of Asia in the 21st century as genuinely radical as Miku. If you\u2019re really trying to honor the trailblazers from this region, this characterized instrument should be in the mix.<\/p>\n<p>Alas, I think Hatsune Miku is just too confusing for the voter of today (who, I\u2019m sorry, I imagine putting in the least effort in actually learning about any of the submitted artists), and think she has the lowest odds of anyone to actually make it. That\u2019s OK though\u2026we can all laugh about it when she gets her lifetime achievement award 20 years from now.<\/p>\n<p>Also they should have nominated \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=ba7YbGO2aq4\">numb numb<\/a>,\u201d the Vocaloid song of the year<a class=\"footnote-anchor\" data-component-name=\"FootnoteAnchorToDOM\" href=\"https:\/\/mbmelodies.substack.com\/p\/make-believe-mailer-175-j-polymarket#footnote-4\" target=\"_self\">4<\/a>.<\/p>\n<p><strong>Odds Of Being Nominated \u2014 5%<\/strong><\/p>\n<h4>Kenshi Yonezu (\u201cIRIS OUT\u201d)<\/h4>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;LmZD-TU96q4&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p><strong>Legacy \u2014\u00a0<\/strong>The biggest J-pop artist of the last decade, and one of the poster children of the 2020s global J-pop wave. <a href=\"https:\/\/www.youtube.com\/watch?v=SX_ViT4Ra7k\">Has a song<\/a> on the verge of becoming J-pop\u2019s first \u201cbillion plays\u201d number on YouTube. \u201cIRIS OUT\u201d alone smashed records once it came out last September. Plus it is the opening number to a recent box office smash.<\/p>\n<p><strong>International Presence <\/strong>\u2014\u00a0OK, now factor in the <em>Chainsaw Man <\/em>movie was also a global film hit, meaning a bunch of people all over heard \u201cIRIS OUT\u201d via the flick or streaming. That\u2019s just one song though\u2026Yonezu has developed an extremely passionate following online, which transformed into a sold-out world tour a few years ago <a href=\"https:\/\/hypebeast.com\/2026\/10\/kenshi-yonezu-announces-global-2027-ghost-tour-dates\">with an even bigger one coming in 2027<\/a>. You don\u2019t get a billion-plus-played song on YouTube via Japan alone. Yonezu isn\u2019t a huge media presence in terms of interviews, but he\u2019s done enough\u2026hell, I\u2019ve <a href=\"https:\/\/www.japantimes.co.jp\/culture\/2017\/10\/31\/music\/kenshi-yonezu-hopes-fireworks-new-album-bootleg\/\">been able to talk<\/a> <a href=\"https:\/\/www.nme.com\/features\/music-interviews\/kenshi-yonezu-chainsaw-man-iris-out-interview-3911835\">to him twice<\/a>. <\/p>\n<p><strong>Politicking <\/strong>\u2014 Definitely happening\u2026I\u2019ve gotten an individual email (not a general \u201cFor Your Consideration\u201d blast) touting his potential at the next Grammy Awards, so I imagine it is even stronger with those boasting actual sway. Here\u2019s the only weakness Yonezu has\u2026he\u2019s not big on promotion, which means outside of interviews, he\u2019s missed out on the kind of side happenings that help you advance in the industry. <\/p>\n<p><strong>Takeaway <\/strong>\u2014\u00a0First, an aside \u2014\u00a0\u201cIRIS OUT\u201d was also submitted for Best Song Written for Visual Media and\u2026it should also be nominated for that. Really, given J-pop\u2019s longstanding lust for a Grammy, it\u2019s weird that they haven\u2019t submitted more for this category, at least post 2016 when anime became \u201ccool\u201d and \u201csemi respected.\u201d Still an uphill battle\u2026I know one band who did push for it, and came up short a few years ago\u2026but now is the time, and given how I can\u2019t think of any \u201cGolden\u201d level smash that should dominate, Yonezu should be in play here.<\/p>\n<p>Back to the category at hand\u2026I have this with the second highest probability of being nominated, hurt only by Yonezu\u2019s lack of Grammy courting. One of the reasons I can\u2019t take a lot of the other submissions seriously is because \u201cIRIS OUT\u201d is in play, built for this moment.<\/p>\n<p><strong>Odds Of Being Nominated \u2014 70%<\/strong><\/p>\n<h4><strong>PSYCHIC FEVER (\u201cIf You\u2019re Mine\u201d)<\/strong><\/h4>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;igtA_QBeWpQ&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p><strong>Legacy \u2014\u00a0<\/strong>See the f5ve entry, though I think PSYCHIC FEVER has more of a footing in Japan and less globally, along with a less \u201cvibrant\u201d social media presence though that means they don\u2019t have thousands of people screaming at them either. A young group with lots of potential!<\/p>\n<p><strong>International Presence <\/strong>\u2014 Not quite as robust as f5ve, but they\u2019ve toured the States and I actually most associate them with Asia itself, as they\u2019ve spent a lot of time in the region, especially Thailand. That probably means diddly squat for the Grammys, but they\u2019ve been out there. A solid amount of interviews across traditional and new media.<\/p>\n<p><strong>Politicking <\/strong>\u2014 The other group that played ennichi\u201925. That\u2019s about it.<\/p>\n<p><strong>Takeaway <\/strong>\u2014\u00a0The only way they get nominated is if the Grammy voters lean in entirely on the music itself, because (breaking my rule, but allow me) \u201cIf  You\u2019re Mine\u201d is a great bit of hop-scotching dance-pop. I don\u2019t think the outfit has enough else going for it\u2026f5ve\u2019s global outreach goes a long way\u2026but I do applaud them submitting, because they deserve some praise for the output.<\/p>\n<p><strong>Odds Of Being Nominated \u2014 30%<\/strong><\/p>\n<h4>Shihori (\u201cWhen I Decided Not To Die\u201d)<\/h4>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;QOe7Sq-eO8U&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p><strong>Legacy \u2014\u00a0<\/strong>A lot of tie-up songs and tours! A very long-lasting career, and one in which she pivoted to being international in 2018.<\/p>\n<p><strong>International Presence <\/strong>\u2014 The same as above really. She\u2019s played a lot of shows in the States, and is based in Los Angeles. Some interviews.<\/p>\n<p><strong>Politicking <\/strong>\u2014 <a href=\"https:\/\/www.instagram.com\/p\/DedDIIBPDCg\/\">Running her own \u201cFor Your Consideration\u201d campaign<\/a>, which I applaud! Her actual strongest attribute here is being based in LA since 2018\u2026she\u2019s been amongst a lot of entertainment yuckity yucks, so in theory she could already be reaching a lot of them.<\/p>\n<p><strong>Takeaway <\/strong>\u2014\u00a0Sorry to say this for such an emotionally vulnerable song but\u2026no chance, too small. Shihori would need an incredible contact list to pull this off.<\/p>\n<p><strong>Odds Of Being Nominated \u2014 1%<\/strong><\/p>\n<h4><strong>YOASOBI (\u201cOrion\u201d)<\/strong><\/h4>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;EjaQdBcF6K4&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p><strong>Legacy \u2014 <\/strong>The duo responsible for J-pop pivoting from an enclosed system to one facing the world. \u201cIDOL\u201d being an absolute monster hit, one that topped Billboard charts and made a lot of people unfamiliar with what was happening in the country interested. A huge act representing everything related to J-pop in the 2020s.<\/p>\n<p><strong>International Presence <\/strong>\u2014 Massive! World tours, including a very big one over this past summer. Appearances at festivals such as Coachella and Lollapalooza. Chart success, and tie-ups galore<a class=\"footnote-anchor\" data-component-name=\"FootnoteAnchorToDOM\" href=\"https:\/\/mbmelodies.substack.com\/p\/make-believe-mailer-175-j-polymarket#footnote-5\" target=\"_self\">5<\/a>. Bring anime into the discussion and woo boy, these two were so tied to that soft-power arsenal that people got annoyed at them doing too much. They went to the White House. \u201cOrion,\u201d the song they are putting forward for this year\u2019s Grammy awards, is connected with the video game <em>Overwatch<\/em>. Also, they just had a sit-down chat with Tom Cruise! Is Ayase <em>Digger<\/em>-pilled?<\/p>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;tTlmaofWGdk&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p><strong>Politicking <\/strong>\u2014 Here\u2019s the biggest one of all\u2026YOASOBI <a href=\"https:\/\/grammymuseum.org\/event\/spotlight-yoasobi\/\">took time to do a talk event \/ performance at the Grammy Museum this past September<\/a>. That\u2019s the heart of everything\u2026maybe even more than the sold-out shows and countless interviews. YOASOBI are going for this, and I think that will pay off.<\/p>\n<p><strong>Takeaway \u2014\u00a0<\/strong>YOASOBI also threw their hats into the ring for two other categories, though it isn\u2019t clear if \u201cOrion\u201d is also the rep for those (the <a href=\"https:\/\/awards.theorchard.com\/\">The Orchard site<\/a> meant to lay out all submissions\u2026kind of sucks, maybe just make a Substack next time). They are also pursuing Best Song Written for Visual Media<a class=\"footnote-anchor\" data-component-name=\"FootnoteAnchorToDOM\" href=\"https:\/\/mbmelodies.substack.com\/p\/make-believe-mailer-175-j-polymarket#footnote-6\" target=\"_self\">6<\/a> and Best Music Video. Do Grammy voters know what <em>Overwatch <\/em>is?<\/p>\n<p>Anyway, YOASOBI are both enough of a legacy act at this point <em>and <\/em>have made the kind of appeals aimed right at the Grammy block that I think they have a great chance of breaking through. The only weakness is \u201cOrion\u201d itself, not so much for the quality but because it is a lesser YOASOBI hit. A few years earlier, I think \u201cIDOL\u201d runs away with this award. Yet in 2026 (or 2027), I think having YOASOBI involved in the first version of this category is quite likely\u2026and the group itself has done what they can to stay on radar.<\/p>\n<p><strong>Odds Of Being Nominated \u2014 70%<\/strong><\/p>\n<h4>Yoshiki (\u201cForever Love\u201d With Josh Groban)<\/h4>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;RTzrk3-CdZo&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p>OF COURSE<\/p>\n<p><strong>Legacy \u2014\u00a0<\/strong>Member and driving creative force behind X JAPAN, one of the country\u2019s most beloved rock groups. A massive star, and one who has gone well beyond his home country\u2019s borders. Not many artists have the Imperial Family calling you up to write music, but Yoshiki has! He\u2019s the oldest artist submitting for this category to date, and he\u2019s accomplished a ton. <a href=\"https:\/\/x.com\/yoshikitty?lang=en\">He has a Hello Kitty variant for goodness sakes<\/a>. <\/p>\n<p><strong>International Presence <\/strong>\u2014 Yoshiki simply has international presence. He has been a fixture of the global music industry for a long time now. I can\u2019t fill this paragraph with everything he\u2019s done, that would be boring\u2026this man was about to duet with Axl Rose before bad weather cancelled it, and he was heartbroken. I\u2019ve seen him play piano at Dodger Stadium and to a room of 30 people at SXSW. He\u2019s everywhere all at once.<\/p>\n<p><strong>Politicking <\/strong>\u2014 I don\u2019t even know if you can call what Yoshiki does \u201cpoliticking,\u201d it\u2019s closer to breathing.<\/p>\n<p>Yoshiki has hovered around the Grammy Museum for years. He\u2019s done multiple interviews with the now defunct Grammy.com. My god, the number of interviews he has done with media over the years. I propose a different definition for \u201cindustry plant\u201d in relation to Yoshiki \u2014\u00a0nobody set him up for any of this, but rather he found a space and set his roots down and wrapped around everything in his vicinity. <\/p>\n<p>He\u2019s the ultimate Japanese insider within the music industry, and that alone puts him within striking distance of a nomination.<\/p>\n<p><strong>Takeaway \u2014\u00a0<\/strong>We haven\u2019t even gotten to the song! It\u2019s a cover of X JAPAN\u2019s \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=olaOoD8O1l4\">Forever Love<\/a>,\u201d but with Josh Groban singing in English AND Japanese. While I was writing this post I got this email!<\/p>\n<div class=\"captioned-image-container\">\n<figure><a class=\"image-link image2 is-viewable-img\" target=\"_blank\" href=\"https:\/\/substackcdn.com\/image\/fetch\/%24s_!lxM4!,f_auto,q_auto:good,fl_progressive:steep\/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8e44ca2d-9782-4fc2-a57f-3a55fee7cfef_1348x530.png\" data-component-name=\"Image2ToDOM\">\n<div class=\"image2-inset\"><img decoding=\"async\" src=\"https:\/\/substackcdn.com\/image\/fetch\/%24s_!lxM4!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep\/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8e44ca2d-9782-4fc2-a57f-3a55fee7cfef_1348x530.png\" width=\"1348\" height=\"530\" data-attrs=\"{&quot;src&quot;:&quot;https:\/\/substack-post-media.s3.amazonaws.com\/public\/images\/8e44ca2d-9782-4fc2-a57f-3a55fee7cfef_1348x530.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:530,&quot;width&quot;:1348,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:104151,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image\/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https:\/\/mbmelodies.substack.com\/i\/220521587?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8e44ca2d-9782-4fc2-a57f-3a55fee7cfef_1348x530.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}\" class=\"sizing-normal\" alt=\"\" loading=\"lazy\" \/>\n<div class=\"image-link-expand\">\n<div class=\"pencraft pc-display-flex pc-gap-8 pc-reset\"><button tabindex=\"0\" type=\"button\" class=\"pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M\"><\/button><button tabindex=\"0\" type=\"button\" class=\"pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M\"><\/button><\/div>\n<\/div>\n<\/div>\n<p><\/p><\/a><\/figure>\n<\/div>\n<p>(Josh Groban does a good job singing in Japanese, he deserves a ribbon for that, at least).<\/p>\n<p>This is the biggest wildcard of the bunch\u2026it\u2019s one of the most well-connected Japanese artists in the world covering his own hit with Josh Groban. If you squint you could argue giving this the Grammy because the organization has ignored Asian music for so long and here\u2019s a big ballad beloved on that side of the world\u2026but we know that white guy singing, so that\u2019s nice. <\/p>\n<p>If this gets nominated (in any of those categories), it\u2019s a triumph of networking. I am not ruling it out.<\/p>\n<p><strong>Odds Of Being Nominated \u2014 55%<\/strong><\/p>\n<h4>Yuki Chiba And Lil Moshpit (\u201cAnnyeonghaseyo\u201d)<\/h4>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;Jv0vqhWRbe8&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p><strong>Legacy \u2014\u00a0<\/strong>Assuming people realize he used to go by KOHH and look into that\u2026one of the biggest Japanese rappers of the last 15 years, with multiple viral hits under his belt. Plus, for \u201cAnnyeonghaseyo,\u201d he\u2019s linked up with the Korean producer (and GroovyRoom member) Lil Moshpit for a continental exchange. <\/p>\n<p><strong>International Presence \u2014\u00a0<\/strong>Now here\u2019s a complicated one! Yuki Chiba moved to LA in the last year and a half in order to pursue a Grammy (table that), and he\u2019s performed a bit in the West too\u2026though I\u2019ve also heard he\u2019s leaned into his \u201cambient rap\u201d which has left many confused. Still, \u201cTeam Tomodachi\u201d had a moment, and he\u2019s taking steps to get his name out globally even if some are questionable.<\/p>\n<p>Then you have the <a href=\"https:\/\/aftermath.site\/jojo-steel-ball-run-end-song-yuki-chiba-dr-luke\/\">whole <\/a><em><a href=\"https:\/\/aftermath.site\/jojo-steel-ball-run-end-song-yuki-chiba-dr-luke\/\">Steel Ball Run <\/a><\/em><a href=\"https:\/\/aftermath.site\/jojo-steel-ball-run-end-song-yuki-chiba-dr-luke\/\">debacle<\/a>, but I have a feeling voters aren\u2019t following the happenings in the <em>JoJo\u2019s Bizarre Adventure <\/em>universe too closely. <\/p>\n<p><strong>Takeaway \u2014\u00a0<\/strong>We\u2019ve reached the end, so my main J-Polymarket declaration is\u2026I think Yonezu and YOASOBI have equal odds to make it and I think there\u2019s a strong chance both get to the nomination round. <\/p>\n<p>My spoiler is Yuki Chiba. Again, nobody voting on this knows about <em>Steel Ball Run<\/em>. They see the one actual rapper in the entire field (let me know if I\u2019m wrong, but I don\u2019t hear one from any other country) working with a South Korean producer for a moment of cross-border (non-Groban category) interaction that makes them interested. Chiba has made gestures at appealing to the Grammy voters\u2026such as relocating his entire life\u2026and while I don\u2019t think he\u2019s done anything as drastic as going to the Grammy Museum, he might be more involved than we think. <\/p>\n<p><strong>Odds Of Being Nominated \u2014 60%<\/strong><\/p>\n<h4>Artists Who I Think Might Have Submitted (But For Which I Have Zero Proof, So Let\u2019s Just Call This The Speculation Center)<\/h4>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;O5JN8l4pgOo&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p>I\u2019ve seen <strong>Hikaru Utada<\/strong> mentioned as submitting for the Asian Pop category\u2026but only <a href=\"https:\/\/x.com\/TheGrammyGuru\/status\/2110730166028902652\">via some Twitter account<\/a>, which makes me question if they really put their <em>Chibi Maruko-chan <\/em>song to the voters. I guess to add to that\u2026full disclosure, I technically help with English PR for Utada and I have heard nothing about this. Not to say I would know (they wouldn\u2019t tell me) but I would be a bit surprised if it was a complete mystery to the company I work with.<\/p>\n<p>That said\u2026if Utada <em>did <\/em>submit it would present the ultimate \u201cdo we just honor a J-pop legend\u201d dilemma. This would be their <em>Two Against Nature <\/em>moment.<\/p>\n<p>Meanwhile, <strong>Atarashii Gakko!<\/strong> seem like a natural candidate for this. They check many of the boxes of acts noted above, with plenty of assorted songs from the last year to shove forward. I wouldn\u2019t put them past Yonezu or YOASOBI, but I would also not be surprised to see them in the mix.<\/p>\n<p>Save for AKB48, very few Universal Music Japan artists have been revealed as submitting. I\u2026find that hard to believe, that they would simply ignore this opportunity (unless the BTS connection is that strong). So I think a few are in play. <strong>Fujii Kaze <\/strong>picked a hell of year to release an English-language album, but it makes me think \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=HA3WzXw8vM8\">It\u2019s Alright<\/a>\u201d is a play at the Grammys, being a detour from where he\u2019s been for the last 12 months.<\/p>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;YvYii6dluM8&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p>Then there\u2019s <strong>Ado<\/strong>. When this whole category was revealed, fansites devoted to the identity-hiding singer speculated she could definitely win it! Based on my own experience\u2026full disclosure, I have at times written official English bios for Ado, though I have not done so in a very long time now\u2026I would be surprised if her team didn\u2019t at least explore the possibility. I picture \u201cVivarium\u201d being the submission if they did go for it, and honestly Ado\u2019s odds are up there with YOASOBI and Yonezu\u2026she\u2019s a major player in how J-pop has traveled this decade, with ambitious world tours and assorted industry-courting events (Zipangu, for example) under her belt.<\/p>\n<p>Last, there\u2019s the ultimate unexpected \u2014\u00a0<strong>Mrs. GREEN APPLE<\/strong>.  <\/p>\n<div class=\"youtube-wrap\" data-attrs=\"{&quot;videoId&quot;:&quot;dePs7UPp6GQ&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}\" data-component-name=\"Youtube2ToDOM\">\n<div class=\"youtube-inner\"><\/div>\n<\/div>\n<p>It\u2019s not clear how much this trio cares about international attention. <a href=\"https:\/\/www.japantimes.co.jp\/culture\/2026\/10\/05\/music\/motoki-ohmori-green-apple\/\">When I talked to Motoki Ohmori<\/a>, he told me how they want people to come across their music naturally, without being pushed (and even bristling against the need for anime tie-ups). They are so zeroed in on Japan, they might not care about the Grammys at all.<\/p>\n<p>Except\u2026they\u2019ve been to the ceremony itself, and actually modeled one of their tours (Ceremony) after it. The existence of Project Mrs. Green Apple (PMGA) implies interest in expanding abroad for quite some time. Lucian Grainge, head of Universal, has met them and talked about them, which given his demi-god status within the industry carries a lot of weight. They are the most popular group in Japan, and \u201cBrand New\u201d (above) came out just before the cut off for eligibility (though come on, give \u201c<a href=\"https:\/\/youtu.be\/MjeiIal1ZR0?si=mozSDyJY6cmGzUDG\">lulu<\/a>\u201d its love).<\/p>\n<p>I think Mrs. GREEN APPLE have been so laser-focused at home that they maybe skipped this\u2026and could approach it next year\u2026but I also would not shocked to hear their name mentioned at the nominees press conference. Not a bad long shot.<\/p>\n<p><em>Written by Patrick St. Michel (patrickstmichel@gmail.com)<br \/>Twitter \u2014 <a href=\"https:\/\/x.com\/mbmelodies\">@mbmelodies<\/a><br \/><a href=\"https:\/\/open.spotify.com\/playlist\/6LHkRA8cFRT5ZHPABezl7D?si=e699aa0a7ee94a74\">Check out the Best Of 2026 Spotify Playlist here<\/a>!<\/em><\/p>\n<div class=\"subscription-widget-wrap-editor\" data-attrs=\"{&quot;url&quot;:&quot;https:\/\/mbmelodies.substack.com\/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}\" data-component-name=\"SubscribeWidgetToDOM\">\n<div class=\"subscription-widget show-subscribe\">\n<div class=\"preamble\">\n<p class=\"cta-caption\">You Know What Pays Off Every Time? Subscribing To This Blog For The Latest In Japanese Music.<\/p>\n<\/div>\n<div class=\"fake-input-wrapper\">\n<div class=\"fake-input\"><\/div>\n<div class=\"fake-button\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"footnote\" data-component-name=\"FootnoteToDOM\"><a href=\"https:\/\/mbmelodies.substack.com\/p\/make-believe-mailer-175-j-polymarket#footnote-anchor-1\" class=\"footnote-number\" target=\"_self\">1<\/a>\n<div class=\"footnote-content\">\n<p>Full disclosure time: I have worked on Music Awards Japan during its first two years. Also additional opinion disclosure: I personally find all awards ceremonies to be completely inessential towards assessing the quality of art and in a perfect world none of these things would exist BUT hey here\u2019s the reality we have so I won\u2019t mention this again. <\/p>\n<\/div>\n<\/div>\n<div class=\"footnote\" data-component-name=\"FootnoteToDOM\"><a href=\"https:\/\/mbmelodies.substack.com\/p\/make-believe-mailer-175-j-polymarket#footnote-anchor-2\" class=\"footnote-number\" target=\"_self\">2<\/a>\n<div class=\"footnote-content\">\n<p>Note: Make Believe Melodies does not promote or encourage gambling, unless it is in person at a horse racing track, preferably a few drinks down. If you or someone you love has a gambling problem call whatever number they play during those DraftKings ads.<\/p>\n<\/div>\n<\/div>\n<div class=\"footnote\" data-component-name=\"FootnoteToDOM\"><a href=\"https:\/\/mbmelodies.substack.com\/p\/make-believe-mailer-175-j-polymarket#footnote-anchor-3\" class=\"footnote-number\" target=\"_self\">3<\/a>\n<div class=\"footnote-content\">\n<p>Though, full disclosure, I worked on this in a PR capacity as CEIPA also runs Music Awards Japan, and I do remember being asked last minute to get people to attend so\u2026maybe not as many saw them as should.a <\/p>\n<\/div>\n<\/div>\n<div class=\"footnote\" data-component-name=\"FootnoteToDOM\"><a href=\"https:\/\/mbmelodies.substack.com\/p\/make-believe-mailer-175-j-polymarket#footnote-anchor-4\" class=\"footnote-number\" target=\"_self\">4<\/a>\n<div class=\"footnote-content\">\n<p>Also the best K-pop song of the year, but I\u2019ll save that argument for another time.<\/p>\n<\/div>\n<\/div>\n<div class=\"footnote\" data-component-name=\"FootnoteToDOM\"><a href=\"https:\/\/mbmelodies.substack.com\/p\/make-believe-mailer-175-j-polymarket#footnote-anchor-5\" class=\"footnote-number\" target=\"_self\">5<\/a>\n<div class=\"footnote-content\">\n<p>Very funny to note that two acts on this list also have collabs with Taco Bell Japan\u2026YOASOBI and f5ve.<\/p>\n<\/div>\n<\/div>\n<div class=\"footnote\" data-component-name=\"FootnoteToDOM\"><a href=\"https:\/\/mbmelodies.substack.com\/p\/make-believe-mailer-175-j-polymarket#footnote-anchor-6\" class=\"footnote-number\" target=\"_self\">6<\/a>\n<div class=\"footnote-content\">\n<p>Has to be for \u201cOrion,\u201d as \u201c<a href=\"https:\/\/youtu.be\/evtoG-4dLM4?si=vBApfWlQ-fQuzb3N\">Watch me<\/a>!\u201d isn\u2019t eligible. If it was it should win as many trophies as possible. <\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Contrary to how it has been talked about up to this point, the Grammy\u2019s Best Asian Pop Music Performance honor doesn\u2019t exist just to make people angry. Since the Recording&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","footnotes":""},"categories":[1],"tags":[],"class_list":["post-8764","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rss"],"_links":{"self":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/posts\/8764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8764"}],"version-history":[{"count":0,"href":"https:\/\/catbradley.io\/index.php?rest_route=\/wp\/v2\/posts\/8764\/revisions"}],"wp:attachment":[{"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/catbradley.io\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}